apr 2010
lynn hynd's works have advanced out of a focused investigation surrounding the relationship between line and form. through screen printing directly onto plaster surfaces, she explores the tension between the printed surface and the inherent object-ness of the works, without them ever becoming exclusively identifiable as objects. concerned with the line being materialised as a cut, as an amputation she sees the new work as torn paper fragments that sit within a larger dialogue between painting and sculpyure, solid and void, two and three dimensions
